Cultural Event Report Essay Example | Topics and Well Written Essays - 500 words - 17

Cultural Event Report - Essay Example But to witness the extravaganza the spectacle of the fairy tale complimented by a truly scintillating music was a pleasure to eyes that reached out its wings directly to the heart and enabling the soul drenched with fatigue to rejuvenate and relinquish upon the musical extravaganza at the Theatre Royal Drury Lane. Witnessing Shrek on silver screen was a joy forever. But watching Richard Blackwood on stage with the musical spectacular portrayed at the Theatre Royal Drury lane was a lifetime experience indeed. The show runs at 3pm on Thursdays, Saturdays as well as Sundays and again on 7:30 pm on Mondays to Saturdays. On Wednesdays there is an exception and the show initiates on that day at 7pm. I had chosen the time slot of 3pm on Sunday, 19th of August 2012. Being a holiday the theatre was almost full and there were more than 150 men and women along with much number of enthusiast children watching the show which itself was giving a different color to the set up colorful ambience of the theatre. This show is running from 6th May, 2011 and shall run till October 21st 2012. The musical is directed by Jason Moore and Rob Ashford and produced by DreamWorks Theatrical, Neal Street Production. The musical is written by David Lindsay-Abaire. The moment one steps inside the Theatre Royal Drury Lane, one can witness the charm and magic the show bequest upon its spectators. The children were all excited and some were putting the masks of Shrek and his loyal donkey which they grabbed from outside the theatre (London & Partners, 2012). All the characters of the real film appeared on stage with accuracy and grace complimented by all fresh musical scores, songs and peppy dance which excels all fairy-tales on stage was a real treat to the eyes. Especially the Shrek Anthem, ‘I’m a Believer’ is perfectly posited in the musical enhancing its effect and weight. The musical comedy filled with the adventure in which Shrek

Screening report on either Seven summurai, Wooden Camera or Totsi Essay

Screening report on either Seven summurai, Wooden Camera or Totsi - Essay Example ny films from the analyst’s perspective, we can, without prompting from film critics or historians, begin to understand Kurosawa’s own sense of Japanese nationalism. Perhaps in even more depth, we might gain a sense of what can be described as traditional nationalism. In other words, in his films Kurosawa forefronts the Japanese pre World War II traditions arising out of patriarchal family, honor, humility, and loyalty to Japan’s imperial emperor. There is, too, a great expression of Kurosawa’s sentiment towards the Japanese role in World War II, and the Japanese nuclear holocaust, which brought about an end to the war in the Pacific. His expressions comes through in the director’s choices and use of symbolism, and in contrasting tradition with the move away from tradition, especially the move away from loyalty to the emperor, and towards World War II militaristic governance. This brief analysis, to focus on these elements, we’ll limit that range of focus to just one film, The Samurai Seven. This film embodies Kurosawa’s own sense of traditional nationalism, his sense of his pre and post war culture, and even comments on the Japanese nuclear holocaust. It is important to keep in mind that The Seven Samurai is a post war film. Kurosawa was well received in Japan, even before his great post World War II film career commenced, which was the period for which he is most well known. Sanshiro Sugata was financed in part by the pre World War II Japanese Film Council because, historian David Cook writes, government officials misinterpreted Kurosawa’s metaphoric message, and perceived the film to be useful as propaganda (Cook, 1996, 833). Most of the Japanese filmmaking in the pre World War II era was focused on works that would help move Japan away from imperialism, and toward a military control over the government that was eager to expand Japanese authority and control in East Asia. For the most part, Japanese cinema was very nationalistic, and,